The cover of Kim & Kim #1 |
The word semi-autobiographical would be probably the last
one used to describe a comic about intergalactic queer female bounty
hunters, but there is clearly a great deal of personal experience infused in
the first issue of Black Mask Studios’ Kim
& Kim written by Magdalene “Mags” Visaggio and drawn by Eva Cabrera,
with letters by Zakk Saam and colors by Claudia Aguirre. That these elements
are in a sci-fi story with clear debts to two very famous animes is a testament
to the power of representation in media and genre storytelling.
Originally published July 6, 2016, Kim & Kim #1 proved popular enough
to warrant a second printing, and one can see why. This book is fun! Yes, it
deals with money troubles, family dynamics, and the internal turmoil of one of
the main characters, but it also has that same character beat a man with a bass
guitar. Another character sprouts tentacles. More than once in the space of
twenty-four pages, a dinner is ruined by a person being slammed into the table.
It is the type of art that to speak ill of it is to immediately out oneself as
a possibly hopeless killjoy. There’s a reason characters are introduced with
exclamation points after their names.
Ms. Visaggio said in an interview that the
relationship between Kim Q. and her father, briefly mentioned in this issue,
was drawn from personal experience. That personal touch is evident in a
touching monologue that character delivers in this issue about how she feels in
relation to another bounty hunter. Eva Cabrera’s art is dynamic and fluid, perfectly
capturing the tone of the book while leaving room for these quieter moments.
Most of the action takes place on a planet with a variety of cultures (and why does that not happen more often in
science fiction?), providing ample opportunity to create atmospheres that are
familiar and alien. The colors by Claudia Aguirre establish the mood of each
environment, particularly in the high contrast of the first dinner fight scene.
Zak Saam’s lettering has fun with the sound effects, employing standards of
onomatopoeia but also “KNEE!” There’s a sense of joy that permeates all aspects
of this issue.
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