Thursday, February 16, 2017

Memetic


The cover to the trade paperback of Memetic

I’ve decided to continue recommending some of the best gay graphic novels of 2015 with Memetic, written by James Tynion IV, drawn by Eryk Donovan, and colored by Adam Guzowski. Originally published by BOOM! Studios as three oversized issues beginning in late 2014, it was collected in trade paperback in October 2015. It’s a horror comic with a unique gay protagonist as one of its centers and hidden philosophical depths that could be misconstrued as ranting against technology, if the book weren’t tapping into very real anxieties and longings. It upends the expectations of the reader several times along the way to its stark conclusion.

A goofy sloth meme has shown up in everyone’s social media feeds, and anyone who looks at it experiences an addictive sense of euphoria. Aaron Sumner is the lone exception, immune due to color blindness and hearing impairment. At first, he tries to be the voice of reason, but soon finds himself facing the apocalypse. He tries to find his high school boyfriend, from whom he’s been separated now that he’s started college. The other half of the story deals with the military attempting to find a cure for the effects of the meme, which I won’t spoil here. It’s almost a shock that Memetic has only three chapters that dramatize three days until the end of the world; each issue is so packed with action and detail, one could be forgiven for thinking it were longer despite reminders on almost every page at how quickly events are unfolding.

In an interview with Comics Alliance, Tynion said, “I knew that I wanted a queer protagonist, because we so rarely see that in horror stories for whatever reason.” Fortunately, Aaron is much more than the queer version of the horror trope of the last man standing. He has an inner strength of which he is not aware until a devastating revelation from another character, and, despite a definitive otherness, he is the perfect witness for the events that unfold around him. The decisions he makes are heartbreaking at times, but make perfect sense in the story.

This is enhanced by Donovan’s artwork, which provokes wonder and terror in equal measure.  Tynion cited John Carpenter as an influence for the story, but Donovan seems more indebted to David Cronenberg for some of the images that will remain with the reader. His facial expressions are suitable for each character, and betray photorealistic origins that ground all the turns in the story for maximum plausibility. Adam Guzowski’s colors, meanwhile, are part of what makes the “good-time sloth” so unsettling in the first place, and develop the backgrounds and atmosphere for the characters and reader alike.

Memetic was nominated for the 2015 GLAAD Media Award for Outstanding Comic Book. It is available at the publisher’s website, Amazon, and comiXology.


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