The cover of Duck |
Beginning in Boston and ending in New Mexico, the plot
involves a road trip to bail out the titular character’s brother from jail.
However it is constructed, though, the story is little more than an excuse to
hang out with Duck and Cat, the lesbian friends on the ostensible road trip.
Their relationship is real, authentic, and full of genuine emotion. The reader begins
as a willing voyeur, becomes a third wheel privy to disagreements and
confessions, and ends as a fellow confidante wanting to spend more time with
these characters. This book is a pleasure and a delight to read.
The artwork is a perfect complement, and that this was
Ms. Ford’s first graphic novel is all the more impressive. Her expressive faces
and lanky character designs help make the central couple of friends relatable,
enhancing the lived-in dialogue. The qualities of of Ms. Ford’s work that make
Marvel’s Silk such a joy to look at
are brought to bear on the real world in Duck
and don’t seem out of place, while making it evident that she is a perfect fit
for the Spider-verse.
According to an interview with the Advocate last year, Ms. Ford created Duck because she “wanted to see an accurate
reflection of [her] experience someplace,” and that sense of personal affection
comes across almost palpably. The dynamic between old friends, though unique to
Ms. Ford’s vision and her characters, is part of what grants the story such
universal appeal. Duck was the winner
of Prism Comics’ Queer Press Grant of 2010. The third volume was successfully
funded via Kickstarter last year. Duck is available for purchase at Northwest Press and comiXology.
No comments:
Post a Comment