The cover of Flutter, Volume 2 |
The story picks up shortly after Lily and Penelope
have established themselves in Chicago, having fled several parties who were looking for
them. They quickly learn that the traumas of
the past cannot be so easily abandoned, physically or mentally. The mystery of
how Lily got her powers is developed further, along with the circumstances of
Penelope’s home life. Favorite characters such as Oriana and Saffron return,
and a couple of new characters are introduced, including Penelope’s biological
father. The bonds of family and first love are explored and given greater
metaphorical depth, but not at the expense of the pacing. Flutter, Volume 2 remains committed to telling a thrilling tale
about the consequences of young love and a shapeshifting girl on the run from
government foes.
Jennie Wood often cites music as an influence for her
writing, and I often found myself with a song in my head while reading Volume 2. Her dialogue always reads as
natural; her depiction of Penelope and Lily’s relationship remains the
strongest emotional hook of Flutter.
Meanwhile, Jeff McComsey has managed to improve on his earlier artwork. His
lines are bolder, and his drawing of Jesse in particular is more defined and
better contrasted with Lily. Mr. McComsey’s transitions between story threads
are tight and help keep the story moving. Two new members of the team for this
volume are Chris Goodwin on colors and Jeff McClelland on letters, both of whom
are outstanding. Mr. Goodwin in particular shines during a transition during a
flashback Penelope’s father has to her late mother.
Flutter has been recommended by everyone from Gail
Simone to Steve Orlando, and I hope everyone picks up Volume 2. Flutter, Volume 2: Don’t Let Me Die Nervous
is available for purchase at Amazon and Comixology. Volume 3 is tentatively
titled Hey Mom, Why So Tense? and its
Kickstarter begins September 12.
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