The cover of Stuck Rubber Baby |
A seminal figure in gay comics, Howard
Cruse has been creating great work since the 1970s and was the founding editor
of Gay Comix. Eventually, he had the idea to write
something about the “complicated social currents” of his formative years
growing up in Birmingham, which ultimately took the form of Stuck Rubber Baby. Meticulously
researched, it tells a complex story about the struggles of racial and sexual
minorities. There are bombings, lynchings, and injustice. In one scene, the victim of a gay-bashing
tries to report his attackers to the police and is arrested for “public
drunkenness” instead.
It can be difficult to write about the
Civil Rights movement from the perspective of a white character. At best, the tone becomes condescending, as
if the black characters were lucky to have the intervention of a few
well-intentioned white people. At worst,
broad stereotypes replace characters and revisionist history results. Howard Cruse avoids all of these dangers in Stuck Rubber Baby by making his
characters fully human. Toland Polk is
selfish, self-serving, and cowardly, but he is also remorseful, conflicted, and
relatable.
We’ve come a long way from police raids
and laws against men dancing together. As
we enjoy the freedom to march in parades, and see support for gay marriage
steadily increase, let’s not forget the sacrifices of those who have come
before us. Stuck Rubber Baby is an excellent reminder, and Howard Cruse is an
unsung hero.
Stuck
Rubber Baby
won an Eisner Award and a Harvey Award for Best Graphic Album, was nominated
for the American Library Association’s Gay and Lesbian Book Award, and won the
Angoulême Festival Prix de la critique
and the United Kingdom Comic Art Award for Best Graphic Novel. It is available at all major comics retailers
and on Amazon.com.
No comments:
Post a Comment