The cover of All-New X-Men #40 |
It would be superfluous for me to write about Brian Michael Bendis’s writing for this issue or Mahmud Asrar’s art, though both have plenty of merit. In all
honesty, I haven’t read a mainstream comic since 2012, the last time an event
like this took place, when gay comics fans were treated to the Big Two
celebrating Pride month with the double feature of Northstar marrying his
boyfriend in Astonishing X-Men #51
and Alan Scott being outed in an alternate universe in Earth 2 #2. I barely recognized any of the characters in All-New X-Men #40, including ones I should
have known since childhood. I still bought the issue, and the next one, and Uncanny X-Men #600. The significance of
Iceman coming out cannot be overstated, but not necessarily for the reasons
being touted by the fans, detractors, or press agents.
The most famous page of the issue |
Iceman is one of the original five X-Men created by
Stan Lee and Jack Kirby in 1963. Everyone knows the character, even people who
have never read a comic book. Does the storyline have clunky parts? Sure. Is it
guilty of bi-erasure? If you want. Could it all be undone by the next team to
tackle the characters? Frankly, I almost expect it.
On the day All-New X-Men #40 was released, a thirteen-year-old gay kid was bullied. Maybe
he was ignored by friends and teachers, called a fag, or physically assaulted.
But later that day he got to read about a famous character who was like him.
Maybe he’d even thought Iceman was lame before, and still kind of does, but for
reasons he couldn’t even fully articulate, he felt better about himself that
day. No amount of retconning, editorial interference, or criticism can undo
that.
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